(Repost by request by SuperNerd! -AB ’24)

READ. IT. UNTIL. YOU. UNDERSTAND.

Albert Pike info HERE.

Yeah, he looks normal. No red flags here.

Full citation here. Pike’s letter to the Italian Freemason Mazzini detailing a luciferian interaction in which the plans for the first two world wars were laid out, followed by the third and final world war. This letter was written on August 15, ARSH 1871.

““The Third World War must be fomented by taking advantage of the differences caused by the “agentur” of the “Illuminati” between the political Zionists and the leaders of Islamic World. The war must be conducted in such a way that Islam (the Moslem Arabic World) and political Zionism (the State of Israel) mutually destroy each other.

Meanwhile the other nations, once more divided on this issue will be constrained to fight to the point of complete physical, moral, spiritual and economical exhaustion…We shall unleash the Nihilists and the atheists, and we shall provoke a formidable social cataclysm which in all its horror will show clearly to the nations the effect of absolute atheism, origin of savagery and of the most bloody turmoil.

Then everywhere, the citizens, obliged to defend themselves against the world minority of revolutionaries, will exterminate those destroyers of civilization, and the multitude, disillusioned with Christianity, whose deistic spirits will from that moment be without compass or direction, anxious for an ideal, but without knowing where to render its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer, brought finally out in the public view.

This manifestation will result from the general reactionary movement which will follow the destruction of Christianity and atheism, both conquered and exterminated at the same time.”

So many possible candidates for Antichrist….

I’m old enough to remember my name or ANY mention of the invalidity of Pope Benedict’s attempted partial resignation or the fact that Bergoglio is an antipope being automatically scrubbed and banned from LifeSite’s combox.

Now LifeSite casually publishes pieces on the Bergoglian Antipapacy on the regular.

Patience. Perseverance.

The truth WILL out.

Click here to read the whole thing.

I’m so glad we have pinned this down. I whiffed on the beatnik Maynard G. Krebs, as rightly pointed out by MANY readers and listeners, because I never watched Dobie Gillis. It was shown on Nick at Nite 20-30 years ago, but I was instantly revolted by two characters: Maynard Krebs the beatnik, and “Zelda”, who was obviously a lesbian, which the actress fully admits – that she was already, as a teenager, engaging in sodomitical acts with other girls while appearing on Dobie Gillis. She was rightly thrown out of the sorority she joined at UCLA for lesbianism. So I never watched it.

Dobie Gillis debuted on teevee in ARSH 1959, and the so-called Beat Generation began ten to fifteen years earlier in the late 40’s-early 50’s with Jack Kerouac, Allen Ginsberg, and William S. Burroughs as a rebellion against traditional Christian society, which it derided as “square”. The beatniks were the forerunners of the hippies. Need one say more? 🤢🤢🤢🤮

Another eagle-eyed reader theorizes that Scooby-Doo is a parody of Dobie Gillis. Dobie is Fred, Zelda is Velma, Thalia is Daphne, Maynard is Shaggy. Seems spot-on to me.

A card-carrying member of the Barnhardt Podcast Listenership caught both Art Decco and me in an OBVIOUS whiff. I’m embarrassed this didn’t occur to me, it’s so obvious, and such a massive component of my early childhood and pop culture in general.

The “like” verbal tick entered the culture in the 1960’s, and we know this from… Scooby Doo.

Shaggy’s signature verbal tick was, “like.”

Scooby Doo – the real, original-gangster Scooby-Doo – was produced from ARSH 1969, so, like, yeah. And bonus points if you know who the voice of Shaggy was. Yup, none other than Casey Kasem.

I’ll give Scooby-Doo credit for teaching children that ghosts, space aliens, zombies and sentient robots are all, to use the contemporary slang, fake and gay, namely criminals attempting to hide behind the preternatural. That’s probably why you don’t see them broadcast anymore. It’s interesting to note that demons never appeared, explicitly named, on Scooby-Doo. Do you know why? Because demons are real.

And now here’s my Long Distance Dedication: here’s the best Scooby-Doo chase song, “Pretty Mary Sunlight.” Fun fact, Pretty Mary Sunlight was written by Jerry Reed. The Snowman. Eastbound and down. How’s THAT for pop culture?

NIP IT!

NIP. IT. IN. THE. BUD!!

I’ve done this successfully now FIVE times, so I’m confident to post it here.

The key is to start the DBF Protocol IMMEDIATELY upon feeling that first tell-tale tingle in the throat or sinuses. If I try to be “tough”, or go into denial and tell myself, “Nah, I’m not getting a cold…” then my odds of success are reduced markedly. The DBF Protocol can also be done as a pure prophylactic if I know that I have just been exposed to a sick person and I want to give myself the best possible chance of avoiding coming down with whatever they had. Since all of the components of the DBF Protocol are benign, it falls into the category of “it can’t hurt.”

My first dose is a power-dose, to really jumpstart the process. I put all of the liquid components into a small quantity of juice, booze or water, and use the mixture to wash down the pills:

-Aggressive treatment dose of Ivermectin 1% livestock liquid injectable solution taken by drinking it orally (or take pills or pony paste if that is what is on hand). Dosage table by body weight HERE.

-50,000 IU’s of Vitamin D+K liquid drops. 1 drop equals 1000 IU’s, so 50 drops.

-Quercetin, 400mg (2x200mg capsules)

-Liposomal Vitamin C, 1200mg (2x600mg capsules)

-Zinc liquid drops, 30mg (20 drops)

After the first power dose, I repeat dosing myself every 12 hours with doses that are HALF the initial power-dose outlined above.

I take Melatonin before bed to ensure that I’m well-rested. I keep food intake to a minimum, or just fast outright so that my immune system can be focused on destroying the enemy, and not policing my stomach contents. And I’m extra diligent about gargling with Listerine.

I haven’t had to extend dosing beyond 72 hours.

I decant Ivermectin into small (50 or 100mL) eye dropper bottles, and carry a 50mL bottle of Vitamin D+K with me in my bag at all times, so I can always at least begin the power-dose anywhere, anytime. I carry a few Vitamin C and Quercitin pills in a small plastic ziplock bag, and my bottle of Zinc drops to be fully prepared when traveling.

And THAT is how I NIP. IT. IN. THE. BUD!

https://www.lifesitenews.com/opinion/doctor-edmund-mazza-heres-why-i-believe-the-bergoglian-pontificate-is-invalid/?utm_source=featured-news&utm_campaign=usa

Click through, read the whole thing, and show some love in the combox if you’re so inclined.

I’m reminded of the words of St. Catherine of Siena:

O alas, be silent no more! Shout with a hundred thousand tongues. I see that, through silence, the world is broken, the Bride of Christ is impaled.

And don’t forget Dr. Mazza’s conference…!

This has been a very popular piece since it was originally written for Memorial Day over a decade ago, and explains to a culture so stripped of any sense of reverence, respect or even decorum why it is that liturgy should be masculine, solemn, reverent, and especially BEAUTIFUL, in the only terms that can still, just barely, be understood: the Tomb of the Unknowns at Arlington National Cemetery. I have received many emails over the years mostly from men, but also a few women, who reported having a change of heart about the “fancy vestments” or “hyper-formal and distant” rubrics of the Traditional Mass after reading this piece. It is so sad that today’s infiltrated and fallen culture considers masculinity and beauty to be in opposition to each other. Nothing could be farther from the truth.

Reposted for Veterans’ Day, ARSH 2024.

No. More. Brother. Wars.

HERE RESTS IN HONORED GLORY AN AMERICAN SOLDIER KNOWN BUT TO GOD.

Those are the words engraved on the Tomb of the Unknowns at Arlington National Cemetery. Here is a video of the Changing of the Guard.

I think we can all agree that the Tomb of the Unknowns, the 24/7 guarding of the Tomb, and the intense precision of the ceremonial rubrics therein is one of the most excellent things in American culture. The old saying goes, “You may judge a nation by how it treats its fallen warriors.” In an otherwise degraded and despair-inducing society, the Tomb of the Unknowns is a beacon of cultural light and hope.

The Tomb of the Unknowns is also extremely instructive, and believe it or not, it instructs us about . . . the Mass. The reason the Tomb of the Unknowns instructs us today about the Mass is because the Tomb of the Unknowns rubrics are highly informed by the rubrics of the Mass, which were themselves informed by military rubrics, which were informed by even older liturgical rubrics. Military ceremonials and the Ceremonials of the Church are intertwined. Only since the Asteroid hit in the 1960s has the masculinity and, if I may use the term, militant aesthetic been utterly purged, in an attempt by the infiltrators to destroy the Church Militant from within by concealing its very nature from itself – MILITANCY. And so I am reminded of a quote I once heard:

It is important for Christians to know their own history, because if you know your own history, no one else can tell you who you are.

And that is precisely what has happened, and continues to happen. The enemies and infiltrators desperately want all knowledge of WHO and WHAT the Church truly is suppressed and forgotten so that they can lyingly “tell you who you are”. And if you have no knowledge of your own history, you will have no way to discern what is truth and what is lies, and you can thus be conned into believing that you are what you are not, and deceived into believing that you are not what you in actuality are.

For those of you who have never seen a pre-1969 Tridentine Mass and are used to the clownish, degraded, irreverent Novus Ordo Masses of the last 55 years, or of Superfun Rockband church, I hope the sense of reverent awe and solemnity you feel when watching the ceremony at the Tomb of the Unknowns helps you understand what exactly it is that has been robbed from you.

After watching the ceremony at the Tomb of the Unknowns above, I want you to imagine the guards walking about casually, maybe wearing a partial uniform jacket, but with jeans and sandals. Imagine the guards walking out and introducing themselves, “Hi, my name is Lieutenant Jones, but you can call me Lieutenant Jake, or just Jake.” Then the guard might say something like, “Isn’t it a beautiful day today? It sure was rainy yesterday. I had to wear a rain jacket. I’m so glad you all could make it to my shift today. I’m going to be guarding the tomb for the next few hours, and I know that it can sure get BOOOORING! That’s why I have asked a local band to come in and play some awesome new music for you guys, because I want this to be A FUN EXPERIENCE for all of us! And, of course, GO RAVENS!”

If this happened, you would be shocked and disgusted, right? Do you understand that what I have just described is a watered-down comparison of what has happened to the Holy and August Sacrifice of the Mass? The Mass went from being even more reverent than the rubrics of the Tomb Guard to what I just described above – and many times even worse than what I described above. And this happened for many people within a span of several WEEKS in late 1969 into early 1970.

Let’s walk through some of the many parallels.

The soldiers are in full dress uniform, meticulously turned-out and maintained. They are not in combat gear that soldiers would use to walk a patrol in Afghanistan. The Tomb guards are doing something DIFFERENT, and thus their uniforms reflect that.

Really, what the ceremonies surrounding the Tomb are is the highest form of ART. It is living ART, not consisting of a mere two-dimensional representation, not consisting of inanimate objects, but ART consisting of human beings in action. The uniforms, the gait, the precise rubrics, words, gestures and movements – these all combine into a perpetual work of art that not only moves and inspires the people who witness it, but also accomplishes the goal of making tangible a RESPECT for and a REMEMBRANCE of all of the fallen unknown soldiers. The Tomb Guards walk their patrol whether anyone is there to see them do it or not. It isn’t a show. It is a service. It is a rite.

It isn’t all about him. For real men, it never is.

The Holy Sacrifice of the Mass is exactly what I just described, except that the Mass is the most perfect artistic action in the universe because the Mass is the artistic creation of God Himself. The Mass is SUPERNATURAL ART. The Holy Spirit taught the Church the Mass. The Mass is art that is so perfect that it actually causes something SUPERNATURAL to happen – it causes Heaven and Earth to touch, it causes time to be bent such that the moment of “now” touches and intersects with the moment of Calvary 1984 years ago, and it causes bread and wine to be transubstantiated into the Body, Blood, Soul and Divinity of Jesus Christ, made PHYSICALLY SUBSTANTIALLY PRESENT. Man calls down God, and God, in His infinite love, responds and fully submits in complete love, making Himself present on the Altar both at the moment of His death, and in His resurrection, so that He may go into us not only spiritually but also physically as Food.

-In the Tridentine Mass, the priest observes “custody of the eyes”, never looking around and NEVER looking out at the people. Like the guards, priests are supposed to keep their eyes on exactly what they are doing without distraction. The Guards at the Tomb wear mirrored sunglasses to block out all eye contact. Priests are supposed to keep their eyes DOWN or CLOSED, with a couple of exceptions such as just before the consecration when they are to look up to Heaven. This is like the Guards’ rubric of looking from side-to-side very deliberately when inspecting the rifle and the relieving officer. Did you catch that?

–Priests are also supposed to walk with a very deliberate gait – slow, measured and reverent in exactly the same way the Tomb Guards walk in a slow, deliberate, reverent gait.

–Priests are only supposed to say very specific words – no improvisation, no modifications. The Guards are the same way. They have a very strict announcement that they make at the changing, and they have very strict words that they say when telling people to be quiet and observe reverent silence (there is a YouTube video of that happening, look it up.) There is no chatting or extemporaneous speech. In the Church, the command is “Say the black, do the red,” in reference to the layout of the Roman Missal with the words of prayer in black and the instructions for the intensely precise rubrics, down to every gesture, in red.

-I would analogize the exaggerated heel-clicking movement that the Guards do to the genuflecting of the Priest (and servers, and laity, ahem) to the rubric of ALWAYS genuflecting to the right knee EACH AND EVERY TIME the axis of the Tabernacle and/or Altar Cross is crossed. In many Catholic Churches, the Tabernacle, which is the center of the Church – heck, it is the center of the universe – has been moved off to the side, or even hidden in a sacristy. Where a Tabernacle is present, Our Lord, physically present inside, is largely ignored. I have never seen a Novus Ordo priest consistently observe the loving rubric of genuflecting to the Tabernacle every time the plane is crossed. (I have learned since originally writing this that the General Instruction of the Roman Missal for the Novus Ordo Mass specifically states that there are to be no genuflections to the Blessed Sacrament or Cross except by the priest at the consecrations. Sit in stillness with this for a moment. Do you see why I say that the Novus Ordo was conceived in malice by the infiltrators, and thus cannot be “fixed”?)

In fact, most Novus Ordo priests wander around the sanctuary with their backs turned to the Tabernacle while they put on their “performance.” This would be analogous to the Tomb of the Unknowns itself at Arlington being moved “out of the way” and instead a stage being erected upon which the Guards would perform. It makes you sick to think of that happening at Arlington – but that is largely what has happened to the Holy Sacrifice of the Mass.

-There is even an analogue in the Changing of the Guard ceremony to the Consecration of the Host in the Mass. Did you hear it when you watched the video above? It comes at the 2:36 mark. A rifle is fired, its report thus commemorating the moment of death of the Unknowns. In the Mass, the moment of consecration and transubstantiation are the report of Christ’s words spoken by the priest:

HOC EST ENIM CORPUS MEUM.
(This is My Body.)

If you are fortunate, you can still find a church with a bell tower which rings the bell at the consecration of the Host and again at the consecration of the Chalice. This enabled everyone within earshot – oftentimes miles away – of pausing and saying a prayer as Our Lord came down upon the Altar, uniting themselves to the Mass.

Finally, the words engraved on the Tomb of the Unknowns:

HERE RESTS IN HONORED GLORY AN AMERICAN SOLDIER KNOWN BUT TO GOD

This is analogous to the words of the Mass:

ECCE AGNUS DEI, ECCE QUI TOLLIT PECCATA MUNDI.
(Behold the Lamb of God, behold Him who takes away the sins of the world.)

In the Mass, Christ is obviously alive, physically substantially present in the Eucharist, veiled under the mere appearance of bread and wine. Every Mass is a supernatural event – a miracle. At the Tomb, the Unknowns remain dead – only their memory, veiled in anonymity, is honored. There is absolutely NOTHING supernatural about the Tomb of the Unknowns. Let me say that again: There is absolutely NOTHING supernatural about the Tomb of the Unknowns. It is most excellent, to be sure, but it is not a supernatural thing.

The point is this: if we all know and understand and FEEL the power of the excellent, excellent ceremonial rubrics of the Tomb of the Unknown Soldiers, if we understand the power of “living art”, and we understand how important the concepts of reverence, solemnity, precision, dignity and beauty in movement and action are in the context of the Tomb, why, oh why, do we continue to tolerate the lack of reverence, the lack of solemnity, the absence of liturgical precision and dignity and the resulting UGLINESS that has been unleashed on the Holy Sacrifice of the Mass, which is not just a mere memorial of Calvary, but is Calvary Itself, made supernaturally present, and Our Resurrected Lord physically substantially present?

The Tomb of the Unknowns merits the excellent, beautiful, solemn, reverent, disciplined ceremony of the Guards.

Our Lord, Crucified, Risen and physically substantially present to us in the Most Holy Sacrament of the Altar deserves INFINITELY MORE excellence, beauty, solemnity, reverence, discipline and dignity in His Mass.

Seek it out. Demand it. Make it your priority.

Happy Veterans’ Day.

“THE CATHOLIC CHURCH AND THE ANTI-CHURCH CURRENTLY CO-EXIST IN THE SAME SACRAMENTAL, LITURGICAL AND JURIDICAL SPACE.”
-Fr. Linus Clovis

An enemy has done this.

It’s ugly. It’s going to be a mess until the end. We were told by God Almighty Himself in the Holy Gospels that this would happen. HANG IN THERE. The fruit of the Fifth Sorrowful Mystery of the Rosary, the Crucifixion and Death of Our Lord on the Cross, is PERSEVERANCE UNTO SALVATION. Pray it. Believe it. Live it.

At that time, Jesus spoke this parable to the crowds: The kingdom of heaven is like a man who sowed good seed in his field; but while men were asleep, his enemy came and sowed weeds among the wheat, and went away. And when the blade sprang up and brought forth fruit, then the weeds appeared as well. And the servants of the householder came and said to him, ‘Sir, did you not sow good seed in your field? How then does it have weeds?’ He said to them, ‘An enemy has done this.’ And the servants said to him, ‘Will you have us go and gather them up?’ ‘No,’ he said, ‘lest in gathering the weeds you root up the wheat along with them. Let both grow together until the harvest; and at harvest time I will say to the reapers: Gather up the weeds first, and bind them in bundles to burn; but gather the wheat into my barns.’
Matthew 13: 24-30

 An enemy has done this.